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The Dirty Monk Next Door

A Poetry Tale about Alfred, Lord Tennyson, told by Hello Doggo.

On the Isle of Wight, in the eighteen sixties, the most famous poet in Britain had a neighbour. Her name was Julia Margaret Cameron. She had a camera. And nobody was safe.

She’d bought a house at Freshwater to be near Alfred Tennyson. She called him Alfred. She photographed him again and again, and in May eighteen sixty-five she made one of the most famous portraits of her career: rumpled, brooding, eyes heavy with shadow.

Tennyson rather liked it. He called it The Dirty Monk.

To be fair, he’d earned the title. Thomas Carlyle once described him as a man whose clothes were cynically loose, and who smoked infinite tobacco.

In July eighteen sixty-eight, Longfellow came to visit. Tennyson walked his fellow poet over to Missus Cameron’s studio, handed him in, and reportedly warned him to do whatever she told him. He’d be back soon, he said, to see what was left of him.

Now, the wilder tales are hearsay, so take them with salt. When the Italian hero Garibaldi sat in Tennyson’s garden in eighteen sixty-four, a wild-looking woman is said to have rushed up, begging to photograph him. He took her for a gypsy and sent her away. It was Julia. And when Tennyson refused to be vaccinated against smallpox, she supposedly marched round and called him a coward.

So the most famous poet in Britain, the dirty monk of Farringford, had met his match.

Next door to Julia Margaret Cameron, he was the quiet one.

Sources

  • Julia Margaret Cameron, Alfred Tennyson (“The Dirty Monk”), albumen print, May 1865; Tennyson’s nickname for it is recorded in Cameron’s own annotation and in Hallam Tennyson, Alfred Lord Tennyson: A Memoir (1897).
  • Thomas Carlyle to Ralph Waldo Emerson, 5 August 1844 (The Correspondence of Emerson and Carlyle): “his clothes cynically loose ... smokes infinite tobacco”.
  • Longfellow’s visit of July 1868 and Tennyson’s warning: told in Helmut Gernsheim, Julia Margaret Cameron: Her Life and Photographic Work (1948), and Colin Ford, Julia Margaret Cameron: 19th Century Photographer of Genius (2003).
  • The Garibaldi story (1864) and the vaccination quarrel: Freshwater reminiscences collected in Hester Thackeray Fuller, Three Freshwater Friends (1933), Gernsheim (1948) and Ford (2003).

Notes

  • The Longfellow remark is well attested; the Garibaldi and vaccination stories are family and village hearsay, repeated by Cameron’s biographers with that caveat.

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